Justin Taylor’s Dumpster Religion

The Gospel of Anarchy, a thoughtful new novel by Justin Taylor. begins with David, a brainy but fashionably bored college dropout who has pretty much run out of ideas about what to do with his life and has lately been spooking himself by posting photos of an ex-girlfriend to an amateur porn message board. A chance meeting changes everything: David runs into his old elementary school best friend Thomas scrounging for food in a dumpster while a beguiling punk girl named Liz acts as lookout. The falafel they get here tastes good, Thomas and Liz explain, and when David takes a bite it’s an epiphany:

I took the biggest bite I could and stood there dumbly, chewing and being watched. It was drier than I’d thought it would be, and sucked up the moisture in my mouth. It tasted okay, other than not being an especially impressive falafel sandwich, which, of course, having been a customer there, was no more and no less than I already knew. No rancid aftertaste, indeed no hint at all of its having turned. The punks were right. It was fine. I swallowed.

David swallows all the way, soon happily giving up all his bourgeois possessions to live in Fishgut, the punk/anarchist house where this collective of extreme anarchists flops. Thomas, Liz, Katy, Anchor and various other drifters turn out to be pleasant housemates, and the endless partying and gratifying orgies easily win David over. This clever novel now changes tone, and we move past David’s shallow epiphany to focus on this crazy group’s core mythology. This involves an ur-anarchist named Parker, who once lived at Fishgut and left behind a mysterious book.

Much of the activity in the second half of this fast-moving novel revolves around Parker’s sacred book — something between the Book of Mormon and Phish’s Helping Friendly Book, apparently, which the members of the Fishgut family/cult/art project eventually distribute as, naturally, a stapled zine (the story takes place in 1999; if it was today they’d be 140-ing it).

Various characters argue, the religion takes off, a few souls are consumed by holy visions, and Justin Taylor’s story eventually follows a familiar arc. From Louisa May Alcott’s Transcendental Wild Oats to Richard Brautigan’s In Watermelon Sugar, we’ve been watching communes burst apart — and The Gospel of Anarchy eventually ends where every commune story or punk/anarchist saga must end: in chaos and bittersweet regret.

But Justin Taylor is a lively, tricky writer, and The Gospel of Anarchy raises enough tough questions — about the authenticity of religious texts, about the types of people who join cults and the types who don’t — to make this novel an intellectually bracing read even when the storyline follows a well-worn path. Justin Taylor, who has also published short stories and tattoo books, knows his subcultures well, and most importantly he takes their believers seriously. Here’s my first recommended novel of 2011 (it’s been a slow year) — The Gospel of Anarchy by Justin Taylor.

5 Responses

  1. Levi, Justin Taylor’s novel
    Levi, Justin Taylor’s novel sounds intriguing. We haven’t seen much engaging metaphysical discussion about the nature of religion in novels since Dostoievsky! I’m also curious to read his analysis of cults.

  2. It’s a more lifelike
    It’s a more lifelike treatment than a typical Chuck Palahniuk, with a much more level tone. But, yeah, now that you mention it, there is something Palahniuk-esque about the story.

  3. I hate this kind of story
    I hate this kind of story because the rebels always end up regretting the evil of their ways and feeling sorry. I’d rather watch John Water’s “Cry-Baby” or even play Lucasart’s “Full Throttle” where the gang members/anarchist/rebels just end up looking badass.

    I don’t like the hidden moralism in most “anarchist” stories. Like “Catcher in the Rye”, what a piece of crap.

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