Mon Le Bossu

Sometimes I feel lazy. Sometimes I don’t have a whole blog post in me. Sometimes I just want to show you some literary links.

1. Documents newly discovered in Penzance, England (hidden perhaps by pirates?) indicate for the first time that Victor Hugo based his Hunchback of Notre Dame on a real hunchbacked sculptor hired to work on the great church’s restoration. The documents describe a Monsieur Trajan, or Mon Le Bossu, as a “worthy, fatherly and amiable man” who did not like to socialize with the other restoration workers.

2. The tree that inspired Anne Frank (and many others since) during her captivity in Amsterdam has fallen down, but will live on through sapling plantings.

3. Oxford University Press wants you to adopt a word. They’ve got lots of unwanted words, and they’ll all be put down if you don’t.

4. Lorin Stein, new editor of the Paris Review, on the future of literary fiction, sparked by the current Jonathan Franzen craze: “The critics, from the New York Times Book Review to Esquire, hail Freedom as a throwback to the former greatness of the novel. What makes it former? Just how great does a novel have to be, just how many great novels does a contemporary author have to write, before we admit that the lameness of the publishing business has failed to snuff the spark of greatness, or turn serious readers off?”

5. I just started digging into Tony O’Neill’s Sick City, a sweet and charming novel about sex, death, drugs and obsession. Here’s Tony doing some soul-searching at the Daily Beast.

6. Via Galley Cat, a garden of books.

7. Geoff Dyer on Encounter, a new book of essays by Milan Kundera.

8. In an interesting journalistic experiment, Slate composes a virtual Kanye West interview entirely from Ye’s tweets. I hope this does not become a trend, but it’s worth looking at once.

9. You know I love good map mashups. Here’s The Rap Map.

10. A play in Washington DC based on Kurt Vonnegut’s novel Cat’s Cradle.

11. I don’t know how to process an alarming and sad story about the suicide of Kevin Morrissey, a well-liked editor at the Virginia Quarterly Review, and the allegations that a pattern of workplace bullying by the journal’s esteemed editor Ted Genoways led to Morrissey’s death. The refined world of academic literary publishing is not used to this type of public display of anguish (the anguish is always there, it usually takes place in private). My gut instinct, after reading several articles, is that nobody at the VQR is guilty of causing Kevin Morrissey’s death. VQR editor Ted Genoways may have been a terrible boss to work for. If so, he has certainly now paid the price, and I hope he will be allowed to recover from this disaster in peace.

12. Phati’tude, a new literary magazine.

3 Responses

  1. Dear Oxford University
    Dear Oxford University Press,

    Please consider this my formal request for the adoption of the following words…

    *vitamin g
    *ten cent store

    I can assure you if approved for the parenthood of these words, I will raise them to be respectful, well mannered, productive, and charitable. They will be loved and supported until they leave the nest. I would like to spend the next few weeks getting to know them before bringing them home. I request this honor with humility and true gratefulness to the work you are doing for the orphaned words of this language. Please let me be the bridge to maturity for these needy words. They are worthy of our love and support.

    Signed, hyp

  2. kundera is fantastic. i’m not
    kundera is fantastic. i’m not sure why he doesnt seem more popular in the US…maybe he is, and i just dont know it. but for a brilliantly precise & insightful thinker, he has somehow been able to produce relevant, highly symbolic characters without making them fleshless abstractions, which is what happens with a lot of the more academic-type authors i’ve read.

    maybe it’s simply because he doesnt shy away from the brutal truth of his own feelings, maybe thats why he’s able to infuse his characters with such humanity. the bit in the article about his describing his desire to rape someone is a perfect example of that.

    thats one reason i tend to side with kundera on the whole “what kind of man was he during the communist reign of terror” thing. whenever his characters do something—good or bad, right or wrong—they do it entirely out of the most human motivations imaginable. i love him because he shows how making mistakes isnt just what makes us human, it’s what gives us the information and experience we need to become better people. thats such an absurdly simple idea (learn from your mistakes, blah blah blah, right?), but its essential truth is so often ignored in popular culture, where we define characters, and, very often, our friends, on their redeeming characteristics alone.

Leave a Reply

Your email address will not be published. Required fields are marked *

What we're up to ...

Litkicks is 26 years old! This website has been on a long and wonderful journey since 1994. We’re relaunching the whole site on a new platform in June 2021, and will have more updates soon. We’ve also been busy producing a couple of podcasts – please check them out.

World BEYOND War: A New Podcast
Lost Music: Exploring Literary Opera

Explore related articles ...