1. I love it when people disagree with me about something and explain why, and even if offense is sometimes intended, I make it a point never to take it. Daniel Pritchard is sick of me “beating the expensive drum” via my endless complaints about book pricing, and this is what he says:
At Conversations in the Book Trade, blogger Levi Asher is interviewed; he does less than well, I’d say. He claims that ‘There is no decline in reading,’ that electronic content ‘will soon dominate the publishing field’ and argues ‘You can see a movie or download a record album for about ten bucks. That’s the correct price point. New books come out with price tags between $24 and $30 and then they wonder why the whole industry is suffering. Somebody’s out of touch with the consumer here . . .’ He’s been banging this expensive drum for a while. Put the first assertion and the last together, and try to make some sense of it in the context of every reputable study being done that shows a decline in reading in America; Levi is either fooling himself or trying to will the world into the image of his choosing. Aside from that, the average price of a CD in 2008 was $12.95 so Britney Spears’ album was that price; the equivalent of Ms. Spears would be, say, a Grisham novel, and The Innocent Man (2007) has a list price of $7.99 in softcover. Newer and less popular albums cost more, as it is with books. Hardcovers are pricey, and for a smaller market, but books are not generally too expensive. And as long as used books are $3.00 or so, and the library is free, digital readers are still a ways off.
Not so quick there, Daniel. First, a Britney Spears CD costs $12.95 when it’s new. A John Grisham novel costs between $24 and $30 when it’s new and getting media attention, and then drops in price a full year later, after reviewers and award committees have forgotten the book exists. This self-defeating “buzz-kill” effect doesn’t exist in music publishing or any other industry — in fact, some music publishers wisely release CDs at reduced prices to increase their chances of building audience momentum. Movie tickets cost slightly more when a movie is brand new, but the difference is small relative to the total price. Sorry, Dan, but you’re wrong on this one.
Also, there is no contradiction between my first point that reading remains widely popular and my second point that the mainstream/corporate publishing industry is suffering. “Reading” and “publishing industry product” are not the same thing. The literary publishing industry in the USA is clearly unable to find the right format and price point to appeal to consumers, and consumers are increasingly bypassing the mainstream/corporate publishing industry’s preferred formats for this reason. Does that mean we’re not reading? Hell no, hell no, hell no!
According to Ron Hogan at GalleyCat, quoting a recent press release from the Association of American Publishers:
Adult hardcover sales were down 10.3 percent in December and down 13 percent for the year, but adult paperbacks saw a 12.5 percent increase in sales for the month and a 3.6 percent increase for the year. Adult mass market sales, though, are reported as down 3.0 percent for the year, and we can’t help but wonder if that has anything to do with the 68.4 percent increase in electronic book sales in 2008 and certain genre reading tastes.
See what I’m saying, Daniel? Sorry, but I’m claiming myself as the victor in this argument. And there’s plenty of good stuff happening on the affordable paperback books front — see my recent post about Jason Epstein and the Espresso Book Machine.
2. A superb recent Words Without Borders panel discussion featuring Edith Grossman and Eduardo Lago on Don Quixote reminded me how much I’d enjoyed Edith Grossman’s translation (it’s not like I’ve read any other translation, but you know what I mean) of Gabriel Garcia Marquez’s Love In the Time of Cholera. The film version of this great novel recently turned up on a cable channel and I sat through it. Awful, horrible, seriously not good.
3. A few favorite literary New York City personalities have been releasing good new stuff lately. The spooky and moody East Village presence known as Edgar Oliver, whose written and theatrical works I’ve enjoyed in the past, got a great review from Ben Brantley of the New York Times for his East 10th Street: Self-Portrait With Empty House. Poet Simon Pettet has a new book out, Hearth. And, here’s the YouTube debut of New Jersey poet Eliot Katz reading his poem “Death and War”.
5. Poet W. S. Merwin on Design Observer: Unchopping a Tree
6. I was admonished via email to pay more attention to independent bookstores and link to Indiebound.org. I’m not as obsessed with indie bookstores vs. chain bookstores as some other book-lovers are for two reasons: I’m allergic to cats, and Barnes and Noble/Borders restrooms can sometimes really come in handy. Still, I’m down with the cause.
8. Katharine Weber at Readerville: Dear J. D. Salinger.
9. Nigeness contemplates The Wine-Dark Sea.
10. John Updike, cartoonist fanboy.
12. Daniel Scott Buck’s The Kissing Bug gets some 3:AM praise.
13. Barnes and Noble review gets visual with Ward Sutton.
14. Dan Green’s literary blog The Reading Experience has launched the blog equivalent of a Greatest Hits album, TRE Prime.
15. I’m looking forward to Summertime, apparently the next J. M. Coetzee novel. When Coetzee writes about summertime, you can just bet the living will not be easy.
16. The Shirley Jackson Awards committee is holding a lottery. Though they picked the wrong month — remember: “lottery in June, corn be heavy soon”.